Product description. Announced Aug 22, 2005. Discuss in the Canon SLR Lens Talk forum. The Canon EF 24-105mm f/4L IS USM was originally designed to complement Canon's first enthusiast full-frame camera, the EOS 5D, and combines a useful standard zoom range, a constant maximum aperture, good optical quality and effective image stabilization.
The Canon 24-105mm f/4L has great optics and works extremely well. My biggest whine is that the zoom ring takes a lot of effort and that the wide end of the zoom range is cramped, making it difficult to set wide focal lengths precisely.

In fact, at $1,299 for the body, and $2,399 in a kit with the Canon RF 24-105mm fl4 L IS USM lens, the new 26.2MP EOS RP is a thousand bucks less expensive than the recently introduced 30.3MP Canon EOS R mirrorless camera. The Canon EOS RP is also significantly lighter and smaller than its big brother, yet it compares favorably in a number of

Full review. Sigma’s 24-105mm f/4 DG OS HSM Art lens is a premium lens designed for full frame cameras’, although it can also be used on cameras with APS-C sensors. As an ‘Art’ lens, it’s designed to offer ‘sophisticated optical performance’ and meet the needs of creative photographers. It is available in mounts for Canon, Nikon
Sigma 16mm f1.4 DC DN review; Canon RF 24-105mm f4L IS USM review so far; Canon RF 50mm f1.2L USM review; Canon EF-M 11-22mm review so far; Canon EF-M 22mm f2 review so far; Canon EF 24-105mm STM review so far; Canon EF-S 18-135mm IS USM review-so-far; Canon EF-S 10-18mm IS STM review-so-far; Tamron 70-200mm f2.8 VC G2 review; Canon EF 11-24mm
The RF 24-105mm F4 L IS USM ($1,299) is a midrange option, with a dimmer f-stop and shorter zoom range than the premium RF 24-70mm F2.8 L IS USM ($2,299) and RF 28-70mm F2 L USM, but notably

The Canon EF 28-70mm f/2L USM lens can effortlessly track animal eyes and faces with incredible accuracy. the Canon 24-70 RF f/2.8 IS USM could be worth a look. It’s lighter and smaller than

DESCRIPTION This f/2.8 lens sets a new standard for all zooms. Its unusually large maximum aperture is made possible by an extra-wide aspherical lens to provide higher optical performance in a number of ways … including effective anti-flare features and crisp-to-the-edge images.
As an alternative, New York-based Lindsay Adler uses her Canon EF 24-105mm f/4L IS II USM lens in the studio for its versatility, but “not for tight beauty [shots].” The Pro’s Zoom – The 70-200 f/2.8. Traditionally the 85mm was the lens of choice for portraiture.
WMTWW.
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    • canon ef 24 105mm f 4 review